Solar 31.4 GW dominates the scene as vast fields of crystalline silicon PV panels stretching across the entire right two-thirds of the composition, their aluminium frames glinting under intense midday sun; brown coal 9.3 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising heavily into the sky; natural gas 4.0 GW appears as two compact CCGT power plants with tall slender exhaust stacks and smaller heat-recovery units just left of centre; biomass 4.0 GW is rendered as a wood-fired plant with a modest smokestack and stacked timber beside it in the middle-left ground; hydro 1.5 GW appears as a concrete dam with cascading water in the far left background nestled in gentle hills; wind onshore 1.4 GW is shown as a small group of three-blade turbines on a distant ridge with rotors barely turning in the light breeze. The scene is set at 2 PM on a warm early-spring day — full brilliant daylight, completely cloudless deep blue sky, strong direct sunlight casting sharp shadows. Temperature is a mild 15.7°C; vegetation shows early spring greens with budding trees and fresh grass. Despite the sunshine, the atmosphere feels slightly oppressive and hazy near the coal towers, reflecting the elevated 81.4 EUR/MWh price — a faint industrial weight pressing against the radiant sky. In the far background, thin high-voltage transmission lines hint at cross-border power flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible impasto brushwork, atmospheric depth and luminous sky, meticulous engineering accuracy on all turbine nacelles, PV panel textures, cooling tower hyperboloid geometry, and CCGT stack details. No text, no labels.