Brown coal 12.1 GW dominates the left two-fifths of the scene as a massive lignite power station with four hyperbolic cooling towers billowing thick white-grey steam plumes into the black sky; natural gas 8.6 GW fills the centre-right as a row of compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer and faint orange-lit flue gas; biomass 3.9 GW appears as a mid-ground cluster of smaller industrial buildings with squat chimneys and wood-chip conveyors, warmly lit from within; wind onshore 2.8 GW is visible as a distant line of five three-blade turbines on a ridge, their rotors nearly motionless in the dead-calm air, blinking red aviation lights on nacelles; hydro 1.3 GW appears as a small concrete dam with illuminated spillway in the far right background; wind offshore 0.3 GW suggested by a single distant turbine silhouette on the horizon. TIME: midnight — completely dark sky, deep black-navy, scattered cold stars visible between steam plumes, no moon. All structures lit by harsh sodium-orange industrial floodlights casting long shadows, control-room windows glowing yellow-white. The atmosphere is heavy and oppressive, reflecting the extreme electricity price — low-hanging steam and haze pressing down, a sense of industrial strain. Early spring vegetation is dormant, bare deciduous trees with dark skeletal branches in the foreground, dead brown grass lightly frosted at 6°C. A set of high-voltage transmission pylons crosses the middle ground, cables humming with imported power. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of blacks, burnt umber, sodium orange, and cold steel blue; visible impasto brushwork; atmospheric depth with layered industrial haze; meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich's sublime darkness merged with industrial grandeur. No text, no labels.