Brown coal 11.8 GW dominates the left half of the scene as a massive lignite power complex with four hyperbolic cooling towers billowing thick white steam into the black night sky, their concrete forms lit from below by amber sodium floodlights; natural gas 8.5 GW occupies the centre-right as a row of compact CCGT plants with tall single exhaust stacks emitting thin heat plumes, industrial lighting casting harsh pools of white light on metal facades; biomass 3.9 GW appears as a medium-sized wood-chip fired plant in the mid-ground with a rectangular stack and warm orange-lit conveyor belts feeding fuel; wind onshore 2.7 GW is rendered as a small cluster of three-blade turbines on a distant ridge, their red aviation warning lights blinking faintly, rotors nearly still in the calm air; hydro 1.3 GW appears as a small dam structure in the far background with spillway illuminated by security lights; wind offshore 0.3 GW is barely suggested by a single distant turbine silhouette near the horizon. The sky is completely black with scattered cold stars visible through gaps in the rising steam — 1 AM deep night, no twilight, no sky glow whatsoever. The landscape is flat German lowland with dormant early-March vegetation, bare trees, patches of frost on the ground catching artificial light. The atmosphere is heavy and oppressive despite the clear sky, conveying the tension of extreme electricity prices — a brooding industrial darkness. Smoke and steam dominate the composition, drifting slowly in nearly windless conditions. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of blacks, deep blues, amber industrial glows, and ghostly white steam — visible impasto brushwork, dramatic chiaroscuro lighting, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.