Brown coal 11.5 GW occupies the left third as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, glowing orange from sodium floodlights below; wind onshore 14.4 GW spans the right half as dozens of towering three-blade turbines on lattice towers stretching across low rolling hills, red aviation warning lights blinking on each nacelle; wind offshore 4.8 GW appears as a distant row of turbines along the far-right horizon, their warning lights reflected faintly in dark water; natural gas 4.9 GW fills the centre-left as a compact CCGT plant with twin tall exhaust stacks emitting thin heat shimmer, lit by industrial halogen lamps; hard coal 2.6 GW appears as a smaller coal-fired station with a single rectangular chimney and conveyor belt structure beside it, dimly illuminated; biomass 4.0 GW shows as a mid-sized wood-chip-fed power facility with a modest smokestack and warm amber glow from its building windows, positioned centre-right; hydro 1.2 GW is a small dam structure with spillway water catching reflected light, tucked into the far background valley. The sky is completely black, heavy with 98% overcast—no stars, no moon, no twilight glow whatsoever—conveying an oppressive, high-price atmosphere. Temperature is a cool 7°C early spring: bare deciduous trees with just the faintest bud swelling, dormant brown grass. Moderate wind at 12 km/h animates the turbine blades and pushes the steam plumes to the right. The overall mood is tense and industrially sublime. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich impasto brushwork, deep chiaroscuro, atmospheric depth receding into smoky darkness—but with meticulous technical accuracy on every turbine nacelle, cooling tower ribbing, CCGT stack, and conveyor gantry. No text, no labels.