Wind onshore 30.6 GW dominates the right two-thirds of the scene as vast ranks of modern three-blade wind turbines on lattice and tubular towers stretching across rolling green-brown early-spring farmland, rotors spinning energetically in a stiff breeze; wind offshore 4.7 GW appears as a distant cluster of larger turbines on the far-right horizon above a grey North Sea sliver; solar 16.9 GW fills the lower-centre foreground as expansive fields of aluminium-framed crystalline silicon PV panels gleaming dully under heavy grey diffuse light, no direct sun visible; brown coal 6.1 GW occupies the left portion as a lignite power station with three massive hyperbolic cooling towers exhaling thick white steam plumes that merge into the overcast; biomass 4.0 GW appears as a medium-sized combined heat and power plant with a cylindrical fluidised-bed boiler building and a modest smokestack, woodchip storage visible, positioned centre-left; natural gas 3.0 GW is rendered as a compact CCGT facility with a single tall exhaust stack and a smaller heat-recovery steam generator behind it, between the lignite station and the biomass plant; hard coal 2.4 GW shows as a smaller coal-fired station with a rectangular boiler house and a single tapered concrete chimney emitting thin grey exhaust, far left; hydro 1.2 GW appears as a small run-of-river weir and powerhouse along a swollen grey river in the lower-left foreground. The sky is 100% overcast at 14:00 CET — full midday daylight but entirely flat and diffuse, a uniform blanket of pale grey-white stratocumulus with no blue sky or sun disc visible; the atmosphere feels moderately heavy and industrial, consistent with a mid-range electricity price. Temperature is a mild 12.5 °C so vegetation shows early spring: bare deciduous trees with the first green buds, some grass turning green, patches of brown stubble in fields. Wind ripples puddles and bends grass. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich colour palette of steel greys, muted greens, ochre, and ivory; visible impasto brushwork; atmospheric aerial perspective with distant turbines fading into mist; meticulous engineering detail on every nacelle, every PV cell grid, every cooling tower's parabolic curve and concrete texture. No text, no labels.