Wind onshore 23.0 GW dominates the right half of the canvas as dozens of three-blade turbines on tall lattice and tubular towers stretching across rolling hills into the distance, rotors spinning visibly in moderate wind; wind offshore 6.0 GW appears as a cluster of larger turbines on the far-right horizon over a grey sea glimpsed through a valley. Brown coal 10.7 GW occupies the left third as massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky, alongside conveyor belts and open-pit mine terraces. Natural gas 7.1 GW fills the centre-left as a compact CCGT power station with tall slender exhaust stacks and smaller vapour trails. Hard coal 2.7 GW appears as a single coal plant with a square chimney and coal stockpile in the mid-left. Biomass 4.5 GW is rendered as a medium-sized industrial facility with a woodchip storage dome and low exhaust, positioned centre-right. Hydro 1.4 GW is a small dam with spillway visible in the foreground valley. The sky is dusk at 18:00 in March: a narrow band of deep orange-red glow on the western horizon rapidly fading upward into slate-grey and near-black overcast clouds — 100% cloud cover, no stars, no blue sky. The atmosphere is heavy and oppressive, reflecting the very high electricity price. Temperature is mild at 10.6°C: early spring — bare deciduous trees with the faintest buds, patches of green grass, no snow. Overhead high-voltage transmission lines with steel pylons cross the scene, symbolising the large net imports. Sodium streetlights glow along a road in the foreground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible impasto brushwork, dramatic atmospheric depth and chiaroscuro. Meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.