Wind onshore 24.9 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice and tubular towers receding across rolling central-German farmland, rotors spinning briskly in moderate wind; natural gas 6.8 GW appears centre-left as a cluster of compact CCGT power plants with tall single exhaust stacks venting thin heat shimmer; brown coal 4.8 GW occupies the far left as two massive hyperbolic cooling towers emitting heavy white steam plumes rising into the overcast; hard coal 2.3 GW sits beside them as a smaller conventional station with a single square chimney trailing dark smoke; solar 4.3 GW appears as a modest field of aluminium-framed crystalline silicon panels in the mid-ground catching almost no light under dense clouds; biomass 4.3 GW is rendered as a mid-sized wood-chip CHP plant with a rounded silo and low stack; wind offshore 4.2 GW is suggested by a line of larger turbines visible on a distant hazy horizon; hydro 1.7 GW appears as a small dam with water cascading at the far edge. The sky is 92% overcast with a thick leaden cloud deck; it is 17:00 dusk in March so the lower horizon shows only a thin band of dying orange-red light rapidly fading to slate grey and dark indigo above, giving the scene a heavy oppressive atmosphere reflecting the 108.6 EUR/MWh price. Early spring vegetation — bare trees with first pale green buds, brown-green pastures — at about 11°C. Transmission pylons with high-voltage lines stride across the landscape symbolising imports. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible impasto brushwork, dramatic atmospheric depth and chiaroscuro, meticulous engineering accuracy on every turbine nacelle, cooling tower, and PV panel. No text, no labels.