Wind onshore 37.1 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and aerodynamic nacelles stretching across rolling central-German hills, occupying roughly two-thirds of the composition from centre to right, their rotors visibly turning in moderate wind; wind offshore 6.2 GW appears in the far-right background as a cluster of larger turbines rising from a distant grey North Sea horizon; natural gas 3.5 GW is rendered as a compact CCGT plant in the left-centre with twin exhaust stacks emitting thin heat shimmer; brown coal 2.8 GW sits at the far left as two hyperbolic cooling towers releasing gentle white steam plumes into the still air; hard coal 1.9 GW appears as a smaller coal plant with a single square stack and conveyor belt beside the brown coal facility; biomass 4.0 GW is depicted as a medium-sized wood-chip-fired plant with a rounded silo and moderate chimney smoke in the left-centre ground; hydro 1.2 GW is shown as a small run-of-river weir and powerhouse beside a glinting stream in the lower foreground. Solar 0.0 GW — no panels visible anywhere. TIME: 05:00 pre-dawn in March — the sky is deep blue-grey with the faintest pale steel-blue band along the eastern horizon, no direct sunlight, stars still faintly visible overhead; the landscape is mostly dark, lit by sodium-orange streetlights in a small village nestled among the turbine bases, warm glowing windows in farmhouses, and industrial facility lights on the thermal plants casting amber reflections. Temperature 6 °C: early-spring landscape, bare deciduous trees with just the first hint of budding, patches of frost on ploughed fields, dormant brown-green grass. Cloud cover 9%: nearly clear sky revealing deep navy overhead fading to slate-blue near the horizon. Low price atmosphere: vast open calm sky, a sense of abundance and tranquillity despite the industrial elements. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — think Caspar David Friedrich's atmospheric depth merged with meticulous industrial-age engineering detail — rich deep blues, warm amber artificial lights, visible confident brushwork, dramatic scale contrast between tiny human structures and the endless turbine-studded horizon. No text, no labels.