Brown coal 10.1 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers belching thick white-grey steam plumes into the black sky; hard coal 5.1 GW appears center-left as a heavy industrial plant with tall rectangular stacks and coal conveyors, lit by orange sodium lamps; natural gas 5.1 GW occupies the center as two compact CCGT units with slender exhaust stacks emitting thin heat shimmer, illuminated by harsh white floodlights; wind onshore 12.7 GW fills the right third and background as dozens of three-blade turbines on lattice and tubular towers stretching across rolling hills, their red aviation warning lights blinking in the darkness; wind offshore 1.8 GW is suggested in the far-right distance as a faint line of blinking red lights on the horizon over a dark sea; biomass 4.0 GW appears as a mid-sized wood-fired plant with a single wide chimney and visible wood-chip storage bunkers, warmly lit, positioned center-right; hydro 1.2 GW is a small dam and powerhouse at the lower right with water glistening under floodlights. TIME: 2 AM, completely dark — black sky with total 100% cloud cover, no stars, no moon, no twilight, no sky glow whatsoever. All structures visible only by artificial lighting: sodium-orange streetlights, industrial floodlights, and glowing windows. The atmosphere is heavy and oppressive, reflecting the 104 EUR/MWh price — low dense clouds press down, trapping the steam and haze from coal plants, creating a brooding industrial murk. Temperature is near 5°C: bare deciduous trees with no leaves, patches of frost on the ground, early spring dormant brown grass. Moderate wind visible in the steam plume drift and turbine blade motion blur. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich colour palette of deep navy, amber, burnt orange, and ash grey; visible impasto brushwork; atmospheric depth with industrial haze layering into the distance; meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich reimagining an industrial nocturne — sublime, foreboding, monumental. No text, no labels.