Brown coal 10.1 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers releasing thick white steam plumes into the black sky, lit from below by orange sodium lamps; wind onshore 11.8 GW spans the right third as dozens of tall three-blade turbines on lattice and tubular towers stretching across dark rolling farmland, their red aviation warning lights blinking in unison; natural gas 5.2 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks emitting thin hot plumes, illuminated by bright industrial floodlights; hard coal 5.1 GW sits centre-right as a traditional coal plant with a single large smokestack and conveyor belt structures, glowing under harsh white security lighting; biomass 4.0 GW appears as a modest wood-chip-fed CHP plant with a short stack and warm amber-lit facility near the centre; hydro 1.3 GW is suggested by a small dam spillway in the far background with a faint white cascade visible under floodlight; wind offshore 1.2 GW is hinted at by distant turbine silhouettes on the far horizon. The sky is completely black with heavy 100% overcast — no stars, no moon, no twilight glow whatsoever — a deep oppressive ceiling of cloud pressing down, conveying the high electricity price. The air temperature is near freezing; bare early-March trees with no leaves stand as dark silhouettes; patches of frost glisten on dormant brown grass in the foreground. Faint mist clings to the ground between the power plants. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters like Caspar David Friedrich — rich impasto brushwork, deep chiaroscuro contrasts, dramatic atmospheric depth, warm industrial oranges against cold deep-navy and charcoal tones — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.