Brown coal 8.8 GW dominates the left quarter as a massive lignite power station with four hyperbolic cooling towers belching thick white steam plumes into the grey sky; hard coal 5.2 GW sits just right of centre-left as a smaller complex with rectangular mechanical-draft cooling towers and coal conveyors; natural gas 8.6 GW fills the centre as three compact CCGT units with tall slender exhaust stacks emitting thin heat shimmer; wind onshore 8.3 GW spans the right third as a line of tall three-blade turbines on lattice towers, rotors barely turning in the still air; wind offshore 0.5 GW appears as a faint cluster of tiny turbines on the far-right horizon above a sliver of grey sea; solar 5.6 GW is represented by a modest field of aluminium-framed crystalline silicon panels in the right foreground, their surfaces dull and reflective-grey under the overcast, generating weakly; biomass 4.5 GW appears as a mid-ground industrial plant with a wood-chip silo and single smokestack producing light grey exhaust; hydro 1.2 GW is a small run-of-river weir with churning water visible in the lower-right corner. The sky is entirely blanketed in thick, low, oppressive stratocumulus clouds at 08:00 daytime — diffuse pale-grey daylight with no shadows and no sun visible, the atmosphere heavy and claustrophobic suggesting high electricity prices. The landscape is late-winter central German rolling terrain: bare deciduous trees with no leaves, frost-dusted brown fields, patches of old snow, temperature near freezing. Transmission pylons with high-voltage lines stretch across the scene toward the horizon, hinting at cross-border power flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich muted earth tones, visible impasto brushwork, atmospheric depth and haze, dramatic compositional tension between the dark industrial foreground and the vast oppressive sky — rendered with meticulous engineering accuracy for every technology. No text, no labels.