Solar 15.6 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland under diffuse grey light; brown coal 7.3 GW occupies the left as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes; wind offshore 4.5 GW appears in the distant background right as a row of offshore turbines barely visible through haze, their blades nearly motionless; wind onshore 3.1 GW shown as a small cluster of three-blade turbines on low hills behind the solar fields, rotors almost still; biomass 4.0 GW rendered as a mid-sized industrial plant with a wood-chip silo and single smokestack in the centre-left middle ground; natural gas 3.3 GW depicted as a compact CCGT facility with twin exhaust stacks and a modest steam plume, positioned between the lignite plant and biomass facility; hard coal 1.5 GW shown as a smaller coal station with a single rectangular cooling tower and conveyor belt in the far left; hydro 1.3 GW appears as a small concrete dam with spillway at the far right edge near a wooded hillside. TIME AND LIGHT: 2:00 PM on a fully overcast March day—flat, diffuse, bright white-grey daylight with no shadows, no visible sun disc, sky uniformly covered in thick stratiform cloud from horizon to zenith. The landscape is early spring: bare deciduous trees with the faintest green buds, dormant brown-gold grass, patches of lingering dampness on dark soil. Air is calm and still—no wind motion in vegetation or flags. The atmosphere is slightly heavy and muted, moderately oppressive, reflecting a moderate electricity price. Transmission line pylons run across the middle ground carrying high-voltage cables toward the horizon, symbolizing cross-border power flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich layered colour palette of slate greys, muted greens, ochre browns, and industrial whites; visible impasto brushwork; atmospheric aerial perspective with haze softening distant elements; meticulous engineering accuracy on every turbine nacelle, PV panel frame, cooling tower curve, and smokestack detail. The composition evokes Caspar David Friedrich's sense of sublime scale but applied to an industrial energy landscape. No text, no labels, no people.