Wind onshore 26.4 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across the entire right two-thirds of the canvas, their rotors slowly turning in light breeze; wind offshore 6.9 GW appears as a distant row of larger turbines on the far-right horizon over a dark sea; brown coal 6.0 GW occupies the left foreground as three massive hyperbolic cooling towers with thick white steam plumes rising into the night sky, lit from below by sodium-orange industrial lamps; biomass 3.9 GW appears as a mid-sized biomass plant with a compact stack and wood-chip conveyors in the left-centre middle ground, warmly lit windows glowing; natural gas 3.1 GW is rendered as a smaller CCGT facility with a single tall exhaust stack and modest vapour trail, positioned centre-left; hard coal 2.5 GW shows as a coal plant with a single large smokestack and coal bunkers, just behind the gas plant; hydro 1.0 GW is a small dam structure glimpsed in the far centre background. The sky is completely dark — deep navy-to-black, no twilight, no sky glow — a March midnight at 2.4°C with 67% cloud cover obscuring most stars, a few faint star clusters visible through gaps. Frost glimmers on the bare-branched deciduous trees and dormant brown-grey winter fields in the foreground. All facilities are illuminated only by artificial light: sodium streetlamps casting amber pools, red aviation warning lights blinking atop turbine nacelles and smokestacks, control-room windows glowing pale blue-white. The atmosphere is calm and mildly overcast, not oppressive — reflecting a moderate electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of Prussian blue, raw umber, and warm amber highlights, visible impasto brushwork, atmospheric aerial perspective giving depth across the wide industrial-pastoral landscape, meticulous engineering detail on every turbine nacelle, cooling tower rib structure, and CCGT exhaust cowl. No text, no labels.