Wind onshore 26.5 GW dominates the right two-thirds of the scene as vast ranks of modern three-blade wind turbines with white tubular towers and detailed nacelles stretching across rolling farmland into the hazy distance, blades turning in moderate wind; solar 22.2 GW appears in the centre-right foreground as extensive fields of aluminium-framed crystalline silicon PV panels reflecting the flat grey light of a heavily overcast sky; brown coal 6.9 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting eastward, alongside conveyor belts and open-pit terraces; wind offshore 3.9 GW is visible on the distant left horizon as a line of turbines standing in a sliver of grey North Sea; biomass 3.9 GW appears as a mid-ground industrial facility with a tall stack and wood-chip storage domes near the coal plant; natural gas 3.6 GW is rendered as a compact CCGT plant with a single tall exhaust stack and a smaller cooling unit, situated between the coal complex and the wind fields; hard coal 2.5 GW shows as a smaller power station with a single large smokestack and coal bunkers adjacent to the lignite plant; hydro 1.1 GW appears as a small concrete dam with spillway in the left foreground near a stream. Full midday daylight but deeply overcast with a uniform 97% cloud ceiling in pale silver-grey tones, no direct sunlight, diffuse illumination casting soft shadowless light across everything. Early spring landscape: bare deciduous trees just beginning to bud, pale green shoots in fallow fields, patches of brown earth, temperature around 6°C giving a cool dampness to the atmosphere. Low electricity price evoked through calm open spacing in the composition, a sense of quiet abundance. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich layered colour, visible confident brushwork, atmospheric aerial perspective with depth receding through haze—but with meticulous engineering accuracy in every turbine nacelle, every PV cell grid, every cooling tower's parabolic curve. The scene reads as a masterwork industrial landscape painting. No text, no labels.