Brown coal 11.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black night sky, their bases lit by orange sodium lamps; hard coal 4.2 GW appears as a smaller coal-fired power station behind them with a single square chimney and red aviation lights; natural gas 5.6 GW fills the centre-left as two compact CCGT plants with tall slender exhaust stacks venting thin vapour, their turbine halls glowing faintly from interior lighting; wind onshore 20.3 GW spans the entire right half and background as dozens of three-blade turbines on lattice and tubular towers stretching across rolling farmland, their nacelle lights blinking red in unison; wind offshore 5.3 GW is suggested by a distant row of turbines on the far-right horizon above a barely visible dark sea; biomass 4.0 GW appears as a modest wood-chip plant with a short smokestack and steam wisp near the centre; hydro 1.1 GW is a small run-of-river weir in the foreground with dark water reflecting sodium lamplight. The sky is completely black with crisp winter stars and no trace of twilight or dawn glow. The temperature is near freezing—thin frost coats the bare March fields and leafless trees. Ground-level fog threads between the cooling towers. The atmosphere is heavy and oppressive, conveying the high electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich dark palette of Prussian blue, lamp-black, and warm amber from artificial lights, visible impasto brushwork, dramatic atmospheric depth—with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and CCGT exhaust detail. No text, no labels.