Wind onshore 15.8 GW spans the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across a dark rolling plain, rotors slowly turning; brown coal 12.0 GW dominates the left third as a cluster of massive hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lights; natural gas 7.5 GW appears centre-left as a row of compact CCGT plants with slender exhaust stacks venting thin white plumes; hard coal 4.5 GW sits behind the gas units as a smaller coal-fired station with a single large smokestack and conveyor infrastructure; biomass 4.1 GW is rendered as a mid-ground wood-chip-fired CHP plant with a green-lit rectangular building and moderate steam; hydro 1.1 GW appears as a small illuminated dam with spillway in the far middle distance; wind offshore 1.2 GW is suggested by a faint line of tiny red aviation lights on the distant horizon. TIME: 22:00, fully dark — deep black sky studded with sharp stars, zero cloud cover, no twilight or sky glow whatsoever; all illumination comes from artificial sources: sodium streetlamps casting amber pools, floodlights on cooling towers, red blinking nacelle lights on wind turbines, lit control-room windows. The atmosphere feels heavy and oppressive despite the clear sky, reflecting the high electricity price — a subtle brownish industrial haze clings low to the ground around the coal facilities. Early spring vegetation is sparse and dormant, bare deciduous trees silhouetted against facility lights. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, rich dark colour palette of indigo, amber, and slate grey, visible impasto brushwork, atmospheric depth with layers receding into darkness, meticulous engineering accuracy on turbine nacelles, cooling tower geometry, and gas-plant exhaust systems. No text, no labels.