Solar 46.6 GW dominates three-quarters of the scene as a vast, sweeping plain of crystalline silicon photovoltaic panels stretching from the foreground deep into the middle distance, their aluminium frames glinting sharply under a brilliant midday sun in a perfectly clear cobalt-blue sky. Brown coal 6.0 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising lazily into still air. Natural gas 3.0 GW appears as a pair of compact CCGT power stations with tall single exhaust stacks and thin grey exhaust trails, positioned just left of centre behind the solar field. Hard coal 1.8 GW is a single smaller coal plant with a square brick stack at the left edge. Biomass 3.9 GW is rendered as a modest wood-clad biomass plant with a green-trimmed stack and small woodchip storage dome, nestled among the solar arrays right of centre. Hydro 1.3 GW appears as a small concrete dam with a thin ribbon of water in the far right background against low wooded hills. Wind onshore 1.9 GW shows as a handful of three-blade turbines on a gentle ridge at the right, their rotors barely turning in the light breeze; wind offshore 0.3 GW is a barely visible pair of turbines on a hazy horizon line. The season is early spring: fresh pale-green buds on scattered deciduous trees, mild 14°C atmosphere with soft warmth, new grass in the foreground. The sky is utterly cloudless, the sun high and strong, casting short crisp shadows. The atmosphere is calm and open, reflecting the near-zero electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's spatial depth merged with Adolph Menzel's industrial precision — rich saturated colour, visible impasto brushwork, luminous atmospheric perspective, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's parabolic curvature. No text, no labels.