Brown coal 12.6 GW dominates the left third of the scene as a massive cluster of hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lamps; natural gas 8.4 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks emitting thin vapour trails, illuminated by harsh industrial floodlights; hard coal 4.6 GW appears centre-right as a heavy coal-fired power station with a large chimney and conveyor belts visible under amber security lighting; wind onshore 4.9 GW is rendered as a scattered line of three-blade turbines on distant low hills at the right, their red aviation warning lights blinking in the darkness, rotors nearly still; wind offshore 1.3 GW is suggested by a faint cluster of tiny red lights on the far-right horizon representing offshore turbines; biomass 4.0 GW appears as a modest wood-chip-fired plant with a gently smoking stack in the mid-ground between gas and coal; hydro 1.1 GW is a small dam structure at the far right edge with a thin cascade of water caught in a single spotlight. The sky is completely black with no twilight or glow, a deep cold March night at 1 AM — heavy 77% cloud cover obscures any stars, creating a low oppressive ceiling that traps the industrial steam and light pollution in a sickly amber haze, conveying the high electricity price. The ground shows early spring — bare trees with no leaves, dormant brown grass, patches of frost catching the artificial light, temperature near freezing. The overall atmosphere is heavy, industrial, and tense. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of blacks, deep blues, burnt oranges, and sulphurous yellows — visible impasto brushwork — atmospheric depth with layers of steam and haze — meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack — the scene reads as a grand nocturnal industrial landscape masterwork. No text, no labels.