Solar 25.7 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, angled south and glinting under mid-morning daylight; brown coal 10.7 GW occupies the left quarter as a massive lignite power station complex with four hyperbolic concrete cooling towers emitting thick white steam plumes; hard coal 4.3 GW appears as a pair of dark-bricked coal-fired plants with tall chimneys and conveyor belts feeding coal bunkers, positioned left-of-centre; natural gas 4.1 GW is rendered as two compact CCGT units with slender exhaust stacks and heat-recovery steam generators in the centre-left; biomass 4.2 GW sits in the middle ground as a cluster of wood-chip-fed generating stations with modest stacks and piled timber yards; hydro 1.1 GW appears as a small run-of-river weir with turbine house along a gentle stream in the centre foreground; wind onshore 2.0 GW is depicted as a handful of widely spaced three-blade turbines on lattice or tubular towers on a distant ridge to the far right, their blades barely turning in the still air; wind offshore 0.4 GW is suggested by two tiny turbines on a hazy horizon line beyond a coastal inlet at the far right edge. The sky is partly cloudy at 60% cover — broken cumulus clouds drift across, allowing shafts of direct March sunlight to illuminate the solar fields while casting dappled shadows elsewhere. The lighting is full mid-morning daylight, sun at moderate elevation in the east-southeast, warm but not harsh. Early spring landscape: bare deciduous trees beginning to bud, pale green grass, some residual brown from winter, temperature around 7°C conveyed by figures in jackets. The atmosphere carries a slightly heavy, hazy quality suggesting the moderately elevated electricity price — industrial haze softens the horizon, muting distant features. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour palette, visible impasto brushwork, dramatic atmospheric depth and chiaroscuro where cloud shadows meet sunlit panels, meticulous engineering detail on every turbine nacelle, every cooling tower's parabolic curve, every PV module's gridline pattern. The composition balances the Romantic sublime of vast industrial infrastructure against delicate spring nature. No text, no labels, no human figures larger than staffage.