Solar 22.5 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat agricultural land, their blue-grey surfaces reflecting a pale, diffuse daylight; brown coal 10.2 GW occupies the left quarter as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick white steam plumes rising into the overcast; wind onshore 4.9 GW appears as a cluster of eight modern three-blade turbines with white tubular towers on a low ridge in the centre-left middle distance, rotors turning slowly in light breeze; hard coal 3.7 GW is rendered as a dark industrial complex with tall rectangular boiler houses and a single large smokestack beside the lignite plant; natural gas 3.4 GW shows as two compact CCGT units with polished exhaust stacks and smaller heat-recovery steam generators adjacent to the coal complex; biomass 4.0 GW appears as a mid-sized wood-clad biomass plant with a modest chimney and stacked timber logs in the centre-right; hydro 1.1 GW is a small run-of-river weir with a low concrete dam visible beside a winding river in the far middle distance; wind offshore 0.4 GW is barely visible as two tiny turbines on the far horizon line. The sky is a heavy, uniform 97% cloud layer in tones of pewter and slate grey, lit from above by a diffuse midday-to-early-afternoon sun that casts no shadows — full daylight at 14:00 but muted and flat. Temperature 8°C: early spring landscape with bare deciduous trees beginning to show first buds, brown and pale-green fields, patches of old snow in sheltered ditches. The atmosphere feels moderately oppressive — thick low clouds pressing down — reflecting a 62.9 EUR/MWh price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich layered colour, visible confident brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, every PV cell grid pattern, every cooling tower's parabolic profile, every CCGT exhaust stack — a masterwork industrial landscape painting. No text, no labels, no people in the foreground.