Brown coal 11.5 GW occupies the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers pouring thick white steam plumes into the black night sky; onshore wind 15.8 GW spans the entire right half as dozens of tall three-blade turbines on lattice and tubular towers arrayed across rolling dark fields, red aviation warning lights blinking on each nacelle; natural gas 4.5 GW appears in the centre-left as a pair of compact CCGT plants with slender exhaust stacks and faint orange-lit gas flares; hard coal 3.8 GW sits beside the lignite station as a smaller conventional plant with a single tall smokestack and coal conveyor infrastructure; biomass 4.0 GW is rendered as a wood-chip-fired CHP plant with a modest rectangular stack and a glowing biomass storage dome; offshore wind 1.2 GW is suggested by a thin line of tiny lit turbines on the far horizon; hydro 1.0 GW appears as a small illuminated dam structure at the base of a dark hillside on the far right. Time is 02:00 — the sky is completely black with no twilight or glow, only a scattering of cold stars visible through gaps in the rising steam; all structures are lit by harsh sodium-orange industrial floodlights and white LED security lamps casting sharp shadows. The temperature is near freezing: frost glints on metal surfaces, bare early-spring trees with no leaves line a country road in the midground. The atmosphere feels heavy and oppressive, reflecting a high electricity price — a dense, brooding quality to the air, steam hanging low and slow. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork, deep chiaroscuro contrasts between the black sky and the warm industrial glow, atmospheric depth created by layers of steam and distant turbine lights fading into darkness, meticulous engineering detail on every turbine nacelle, cooling tower rib structure, and conveyor belt. No text, no labels.