Brown coal 11.1 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes into the pre-dawn sky; onshore wind 15.1 GW spans the entire right half and recedes deep into the background as dozens of three-blade turbines on lattice and tubular towers across a flat northern German plain, rotors turning slowly; natural gas 4.7 GW appears centre-left as two compact CCGT plants with tall single exhaust stacks and low blue-white flares; hard coal 3.8 GW sits just left of centre as a single large coal-fired station with a rectangular boiler house and a tall brick chimney trailing grey smoke; biomass 4.1 GW is rendered as a cluster of smaller wood-chip-fired CHP plants with modest stacks and warm amber interior glow visible through industrial windows; hydro 1.0 GW appears as a small run-of-river plant tucked along a dark river in the lower right foreground; offshore wind 0.9 GW is barely visible as a faint line of turbine aviation lights on the far horizon. Time is 05:00 in late March — the sky is deep blue-grey pre-dawn, no direct sunlight, only the faintest pale band of indigo on the eastern horizon; stars still visible overhead in a clear sky with zero cloud cover. Temperature is near freezing: patches of frost glint on ploughed fields and bare deciduous trees stand skeletal against the sky. Sodium-orange streetlights line a small road in the foreground. The atmosphere feels heavy and oppressive despite the clear sky, conveying the high electricity price — a dense, brooding quality to the air. No solar panels anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich deep blues, warm amber industrial glows, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.