Solar 38.0 GW dominates the entire right two-thirds of the composition as vast rolling fields of crystalline silicon photovoltaic panels — aluminium-framed, blue-black cells glinting under a blazing midday sun, stretching across gentle green spring hills to the horizon. Wind onshore 6.6 GW appears as a cluster of modern three-blade turbines on ridgelines in the centre-right, their rotors turning slowly in a moderate breeze. Brown coal 5.4 GW occupies the far left as a pair of massive lignite power stations with hyperbolic concrete cooling towers trailing thin white steam plumes into the clear sky. Biomass 4.0 GW sits left of centre as a cluster of compact wood-chip CHP plants with low rectangular stacks and small vapour wisps. Natural gas 2.5 GW is rendered as a single sleek CCGT plant with a tall exhaust stack, positioned between the coal and biomass installations. Hydro 1.2 GW appears as a small concrete weir and run-of-river powerhouse beside a sparkling stream in the foreground. Hard coal 1.1 GW is a single older brick-chimney power station with a thin grey plume, tucked behind the gas plant. Wind offshore 0.2 GW is barely visible — a faint suggestion of distant turbines on the hazy northern horizon. The sky is completely cloudless, a luminous cerulean blue; the sun is high and intense, casting sharp shadows. Temperature is a mild 14 °C: early spring foliage — fresh lime-green buds on birch and linden trees, meadows dotted with crocuses and daffodils, brown earth still visible in ploughed fields. The atmosphere is calm, open, almost serene — reflecting negative electricity prices. Painted in the style of a highly detailed 19th-century German Romantic oil painting, rich saturated colour, visible impasto brushwork, atmospheric aerial perspective fading to soft blues at the horizon, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower ridge, evoking Caspar David Friedrich's sense of sublime landscape merged with industrial modernity. No text, no labels.