Wind onshore 39.5 GW dominates the entire scene as vast ranks of three-blade turbines on lattice towers stretching across rolling central German hills from left to right, their rotors spinning in moderate wind, red aviation warning lights blinking along every nacelle; wind offshore 5.3 GW appears in the far-right background as a cluster of taller offshore turbines rising from a dark horizon line suggesting the North Sea coast. Brown coal 3.3 GW occupies the lower-left foreground as a pair of hyperbolic cooling towers emitting thin steam plumes, lit from below by sodium-orange industrial floodlights. Hard coal 2.3 GW sits adjacent as a single large power station with a tall chimney and conveyor belt structures, also floodlit. Natural gas 2.9 GW appears as a compact CCGT plant with twin exhaust stacks and a modest heat shimmer, positioned centre-left. Biomass 4.0 GW is rendered as a mid-sized wood-chip-fired plant with a dome-roofed fuel storage hall and a single square stack, glowing warmly, positioned centre-right among the turbine bases. Hydro 1.1 GW is a small run-of-river station with a low concrete weir visible in a river crossing the lower foreground, a few small lights reflecting in the water. The sky is completely dark — black to deep navy — no twilight, no moon glow, a clear starfield visible overhead matching 0% cloud cover. Early spring vegetation: bare deciduous trees with the faintest budding, dormant brown-green grass on gentle hills. The atmosphere is calm and open, reflecting the near-zero electricity price. Dozens of small village windows glow amber in the middle distance. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich deep blues, warm sodium oranges, visible impasto brushwork, atmospheric depth and sfumato in the distance, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.