Wind onshore 21.5 GW dominates the right half of the canvas as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across low rolling hills into deep darkness; wind offshore 7.2 GW appears in the far right background as a cluster of turbines standing in a black North Sea glimpsed through a gap in the terrain. Brown coal 6.8 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lighting. Natural gas 8.7 GW fills the centre-left as two modern CCGT plants with tall single exhaust stacks venting thin hot exhaust, their rectangular turbine halls glowing with warm interior light through high windows. Hard coal 4.1 GW sits behind the gas plant as a smaller coal station with a single large smokestack and a coal conveyor belt, lit by yellow floodlights. Biomass 4.4 GW appears as a mid-sized wood-fired plant with a modest stack and a pile of wood chips visible in its yard, warm amber light spilling from its structure, positioned centre-right near the wind turbines. Hydro 1.3 GW is rendered as a small concrete dam and powerhouse nestled in a dark river valley at the far left edge. The sky is completely black to deep navy, 100% overcast with no stars, no moon, no twilight—it is 20:00 in late March. The only illumination comes from artificial sources: sodium streetlights casting orange pools along a road in the foreground, industrial floodlights on the power stations, glowing control-room windows, and red aircraft-warning lights blinking atop turbine nacelles and smokestacks. The temperature is near freezing: bare deciduous trees with no leaves, patches of frost on dormant brown grass, breath-like mist near ground level. The atmosphere is heavy and oppressive, reflecting the high electricity price—low thick clouds press down, catching the reflected industrial glow in sickly orange-grey tones. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting—rich impasto brushwork, dramatic chiaroscuro between deep shadow and industrial light, atmospheric depth with haze and steam, meticulous engineering detail on every turbine blade, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich's sublime darkness fused with industrial realism. No text, no labels.