Wind onshore 15.5 GW dominates the right half of the canvas as dozens of tall three-blade turbines on lattice towers stretching across a dark, frost-covered plain, their red aviation lights blinking against a pitch-black sky; wind offshore 5.0 GW appears as a distant cluster of larger turbines on the far-right horizon, faintly silhouetted against a deep navy sea. Brown coal 12.0 GW occupies the left third as four massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lights; hard coal 5.1 GW sits just right of centre as a smaller coal plant with a single tall chimney stack and conveyor belt infrastructure, glowing with amber floodlights. Natural gas 7.7 GW fills the centre-left as two compact CCGT blocks with slim exhaust stacks venting thin heat shimmer, their facades illuminated by harsh white security lighting. Biomass 4.1 GW appears as a modest wood-chip CHP facility with a green-lit silo and short smokestack near centre-right. Hydro 1.1 GW is a small dam structure in the far background, water faintly catching reflected light. The sky is completely dark — no twilight, no moon glow, a deep black canopy with scattered stars visible through 35% thin cloud wisps. The ground is dusted with frost and traces of late-season snow; bare deciduous trees with no leaves frame the edges. The atmosphere feels heavy and oppressive, hinting at the high electricity price — a faint industrial haze hangs low. Temperature is below zero; breath-like mist rises from every warm surface. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, deep colour palette of blacks, deep blues, amber and sodium orange; visible impasto brushwork; atmospheric depth with layered fog and industrial steam; meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.