Onshore wind 35.8 GW dominates the entire scene as vast ranks of three-blade turbines on lattice towers stretching across rolling hills from the centre to the far right, their rotors spinning briskly in the night wind; offshore wind 3.8 GW appears as a distant cluster of taller turbines on the far horizon over a barely visible sea; hard coal 4.1 GW occupies the left foreground as an industrial power station with tall concrete chimneys and conveyor gantries, lit by orange sodium lamps, thin smoke trails rising; brown coal 3.6 GW sits just behind as a pair of hyperbolic cooling towers emitting thick white steam plumes glowing faintly from internal lighting; biomass 4.1 GW is represented by a mid-sized plant with a rounded silo and wood-chip storage yard, warm amber light spilling from its doors; natural gas 2.7 GW appears as a compact CCGT facility with a single polished exhaust stack and a small vapour wisp, illuminated by blue-white industrial floodlights; hydro 1.1 GW is a small dam structure nestled in a valley at the far left edge with water gleaming under lamplight. Time is midnight: the sky is completely black with no twilight, no moon visible, heavy 99% overcast clouds faintly backlit by the collective industrial glow below. Temperature is near 5°C: early spring, bare deciduous trees with only the faintest swelling buds, patches of frost on the ground, dormant brown grass. Wind at 12.6 km/h animates flags on the power stations, turbine blades turn at moderate pace, steam plumes drift and shear sideways. Low electricity price evoked by a calm, expansive open composition with wide spacing between elements. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich deep navy and amber colour palette, visible impasto brushwork, atmospheric depth with misty layers receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.