Brown coal 10.7 GW occupies the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into blackness; natural gas 10.8 GW fills the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks emitting heat shimmer and faint orange-lit flue gas; hard coal 6.2 GW appears centre-right as a large coal-fired plant with a pair of striped chimneys and conveyor belts visible under sodium floodlights; wind onshore 10.4 GW spans the right third as dozens of three-blade turbines on lattice and tubular towers stretching across rolling hills, their red aviation warning lights blinking; wind offshore 1.6 GW is suggested by a distant line of turbines on the far-right horizon above a faintly reflective estuary; biomass 4.3 GW appears as a modest wood-chip-fed plant with a single stack and wood-pile yard illuminated by floodlights in the mid-ground; hydro 1.3 GW is a small concrete dam spillway visible in a valley gap at lower right, lit by a few service lights. Time is 21:00 — full night, completely dark sky with no twilight glow, deep navy-to-black overhead, 100% cloud cover so no stars or moon visible, only the oppressive low ceiling of clouds faintly reflecting the orange industrial glow below. Temperature 7°C early spring: bare deciduous trees with only the earliest buds, damp brown grass, patches of mud. Light wind barely moves the turbine blades, which rotate slowly. The atmosphere is heavy and humid, with a dense, almost suffocating industrial haze hanging low, reflecting the high electricity price. Sodium-vapor streetlights cast amber pools along a road crossing the foreground. Transmission pylons with high-voltage cables thread between the plants, their insulators catching the artificial light. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, moody colour palette of deep indigos, warm ambers, cool greys, and coal-black shadows; visible impasto brushwork in the steam plumes and cloud layer; atmospheric depth created by layered mist and industrial haze; meticulous engineering accuracy in turbine nacelles, cooling tower parabolic profiles, CCGT exhaust stacks, and conveyor structures. The painting feels monumental and contemplative, an industrial nocturne worthy of hanging in a gallery. No text, no labels.