Brown coal 9.0 GW occupies the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into blackness; natural gas 10.6 GW fills the centre-left as a sprawling CCGT complex with tall single exhaust stacks emitting thin vapour, lit from below by sodium-orange floodlights; hard coal 6.1 GW appears centre-right as a large coal-fired station with rectangular boiler houses, conveyor belts, and a tall chimney with red aviation warning lights; biomass 4.0 GW is rendered as a smaller wood-chip cogeneration plant with a modest stack and warm interior glow visible through industrial windows at the right; onshore wind 2.7 GW appears as a distant line of three-blade turbines on a low ridge at far right, rotors barely turning, their nacelle lights blinking red; hydro 1.2 GW is suggested by a small dam structure in the far background with a faint cascade. Time is 04:00 — full night: the sky is utterly black with heavy 100% overcast, no moon, no stars, no twilight, only deep charcoal cloud faintly reflecting the industrial glow below. Temperature is 3.5°C: bare early-spring trees with no leaves, patches of frost on the ground, cold mist clinging to a river in the middle distance. The atmosphere is heavy and oppressive, reflecting a 136 EUR/MWh price — the air feels thick, the steam plumes press downward under the low cloud ceiling. Foreground: muddy rail tracks, gravel service roads, puddles reflecting orange sodium lights. High-voltage transmission pylons recede into the murk carrying imported power. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich dark tonalities, visible impasto brushwork, dramatic chiaroscuro from artificial light against absolute darkness, atmospheric depth achieved through layered industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.