Brown coal 10.1 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into overcast skies; natural gas 12.7 GW fills the centre-left as a row of modern CCGT power plants with tall slender exhaust stacks emitting pale flue gas; hard coal 6.6 GW appears centre-right as a sprawling coal-fired station with rectangular boiler houses, conveyor belts, and a large coal stockpile; solar 7.9 GW is rendered in the right-centre as extensive fields of aluminium-framed crystalline silicon PV panels under heavy grey cloud, reflecting only diffuse grey light — no direct sunshine; biomass 4.2 GW occupies a modest area at right as a timber-clad biomass plant with a conical wood-chip silo and single smokestack; hydro 1.3 GW is a small run-of-river station at the far right edge beside a cold river; wind onshore 1.1 GW appears as a few distant three-blade turbines on a ridge, rotors barely turning. Time is 08:00 in early April: full overcast daylight, flat and grey with 81% cloud cover, no visible sun, diffuse illumination casting almost no shadows. Temperature is near freezing — bare deciduous trees, frost on grass, patches of old snow in furrows. The air is still, nearly windless, smoke and steam plumes rise almost vertically, creating a heavy, oppressive, stagnant atmosphere befitting a 200 EUR/MWh price. Across the far background, high-voltage transmission lines on lattice pylons recede toward the eastern horizon, subtly suggesting cross-border import flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich muted earth tones, visible impasto brushwork, atmospheric depth with layered fog and haze between the industrial structures. Each technology rendered with meticulous engineering accuracy: nacelle housings, three-blade rotors, lattice towers for wind; aluminium module frames and blue-black crystalline cells for solar; hyperbolic concrete shells with condensation plumes for lignite cooling towers; steel exhaust stacks and gas turbine housings for CCGT. The mood is solemn, weighty, industrial — a masterwork painting of an energy-stressed landscape under a cold grey sky. No text, no labels.