Solar 16.9 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, reflecting diffuse grey light but with no direct sunshine visible; brown coal 5.3 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes rising into the overcast sky; natural gas 5.2 GW appears left-of-centre as compact CCGT power plant blocks with tall single exhaust stacks venting thin heat shimmer; hard coal 4.2 GW sits behind the gas plant as a slightly smaller thermal station with rectangular cooling towers and coal conveyors; wind onshore 5.1 GW is shown as a scattered row of three-blade turbines on a distant ridge, rotors nearly still; wind offshore 4.5 GW appears as a line of offshore turbines on a hazy grey horizon barely turning; biomass 4.4 GW is rendered as a modest wood-chip-fed CHP plant with a single smokestack amid stacked timber; hydro 1.2 GW appears as a small dam and penstock structure nestled in a wooded valley at the far right edge. The sky is entirely covered by a heavy, uniform, oppressive blanket of low stratus cloud in shades of slate and pewter — no blue, no sun — evoking the high electricity price. Full daytime illumination at 09:00 but flat and shadowless. Early April vegetation: bare deciduous trees with the faintest green buds, brown-green dormant grass, patches of last frost on shadowed ground, temperature around 5°C suggested by a cold mist hugging low terrain. The air is perfectly still — no motion in flags, grass, or smoke plumes, which rise vertically. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with Adolph Menzel's industrial precision — rich impasto colour, visible confident brushwork, dramatic chiaroscuro even in the flat overcast light, meticulous engineering accuracy on every turbine nacelle, lattice tower, cooling tower parabolic curve, and PV module frame. No text, no labels.