Solar 32.8 GW dominates the centre and right of the composition as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching to the horizon, their blue-grey surfaces reflecting a flat overcast sky; wind onshore 9.1 GW appears as a deep rank of tall three-blade turbines with white tubular towers on gentle green hills in the centre-left, rotors turning slowly in light wind; wind offshore 5.8 GW is glimpsed in the far background as a cluster of offshore turbines on a hazy grey sea visible through a gap in the terrain; brown coal 2.5 GW occupies the far left as two massive hyperbolic cooling towers emitting thick white steam plumes, with a lignite conveyor belt visible at their base; natural gas 2.2 GW sits just right of the coal plant as a compact CCGT facility with a single tall exhaust stack releasing a thin heat shimmer; biomass 4.1 GW appears as a mid-sized industrial plant with a wood-chip silo and short smokestack nestled among bare early-spring trees between the gas plant and the wind turbines; hydro 1.3 GW is a small concrete dam with spillway visible in a forested valley in the left middle-ground; hard coal 0.8 GW is a single smaller stack barely visible behind the brown coal complex. The sky is uniformly overcast at 100% cloud cover, a pale luminous grey typical of midday diffuse light — no direct sun visible but full bright daylight illuminates the scene evenly with soft shadows. Early April vegetation: fresh pale-green buds on deciduous trees, brown-tinged grass beginning to green. Temperature 8°C gives a cool, slightly misty atmosphere. Low electricity price reflected in a calm, open, unoppressive sky. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with industrial realism — rich colour palette of grey-greens, slate blues, and muted earth tones, visible confident brushwork, meticulous engineering detail on every turbine nacelle, PV module frame, cooling tower fluting, and exhaust stack. No text, no labels.