Wind onshore 33.9 GW dominates the entire scene as vast ranks of three-blade turbines on lattice towers stretching across rolling hills from foreground to deep background, their rotors spinning vigorously in strong wind; wind offshore 6.6 GW appears as a distant cluster of taller turbines on the far horizon over a dark sea glimpsed through a gap in the terrain; biomass 4.3 GW is rendered as a mid-sized industrial plant with a wood-chip conveyor and a single smokestack emitting pale steam, placed in the lower-right middle ground; natural gas 3.0 GW appears as a compact CCGT facility with a single tall exhaust stack and a modest steam plume, positioned in the centre-left middle ground; brown coal 2.4 GW is depicted as a pair of hyperbolic cooling towers with faint white steam rising, placed to the far left; hard coal 1.3 GW shows as a smaller conventional power station with a single rectangular stack beside the brown coal complex; hydro 1.1 GW is suggested by a small dam and reservoir glinting faintly in the lower foreground. TIME AND LIGHTING: fully night, 22:00 in April — completely black sky with no twilight glow, no stars visible due to 100% overcast cloud ceiling pressing low, sky deep charcoal-grey blending to black overhead; all structures lit only by sodium-orange industrial lighting, small red aviation warning lights blinking atop turbine nacelles and stacks, warm glowing windows in control buildings. WEATHER: strong wind bends bare early-spring grasses and young leafless trees, clouds heavy and low, temperature near 8°C suggesting damp cool air with subtle mist around cooling tower bases. ATMOSPHERE: oppressive heavy sky reflecting the 81.3 EUR/MWh price — a brooding, weighty canopy pressing down on the landscape. STYLE: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, charcoal, warm sodium orange, and cool steel grey — visible impasto brushwork, atmospheric sfumato in the distant turbine rows, meticulous engineering detail on nacelles, three-blade rotors, aluminium-framed structures, cooling tower parabolic curves with condensation plumes, CCGT exhaust geometry — the grandeur of Caspar David Friedrich applied to a modern industrial nightscape. No text, no labels.