Wind onshore 37.8 GW dominates the scene as vast ranks of three-blade turbines with lattice towers stretching across rolling hills from the center to far right, their rotors spinning briskly in strong wind; wind offshore 7.5 GW appears as a distant cluster of tall monopile turbines visible on a dark sea horizon at far right; brown coal 2.0 GW occupies the far left as two hyperbolic cooling towers with pale steam plumes drifting sideways in the wind, lit from below by sodium-orange industrial floodlights; natural gas 2.5 GW sits left of center as a compact CCGT facility with a single tall exhaust stack emitting a thin heat shimmer, illuminated by white security lighting; hard coal 1.7 GW appears as a smaller conventional plant with a single square cooling tower and conveyor infrastructure beside the brown coal complex; biomass 4.1 GW is rendered as a mid-sized industrial facility with a cylindrical silo and short stack producing wood-tinted exhaust, positioned center-left; hydro 1.2 GW is suggested by a small dam structure with spillway at the base of a hill in the mid-ground. TIME: 02:00 at night — the sky is completely black with no twilight glow whatsoever, only dense overcast clouds faintly visible where industrial lights reflect upward; no moon, no stars. The landscape is dark rolling German countryside in early spring, grass just greening, bare branches on scattered trees, temperature around 10°C suggested by light mist near the ground. The low electricity price is reflected in a calm, open atmospheric quality despite the cloud cover — no oppressive weight. Wind turbine aviation warning lights blink red across the hills. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, umber, and warm sodium-orange; visible confident brushwork; atmospheric depth with layers of mist between turbine rows; meticulous engineering accuracy on turbine nacelles, three-blade rotors, cooling tower geometry, and CCGT exhaust stacks. The painting evokes the sublime scale of Caspar David Friedrich but applied to a modern industrial energy landscape at night. No text, no labels.