Wind onshore 37.1 GW dominates the entire scene as vast ranks of three-blade turbines with white lattice towers stretching across rolling central German hills from foreground to far horizon, rotors visibly spinning; wind offshore 7.7 GW appears as a distant cluster of taller turbines on the far-right horizon over a faintly visible North Sea strip; biomass 4.1 GW is rendered as a mid-ground industrial facility with a wood-chip silo and modest steam stack; natural gas 2.4 GW appears as a compact CCGT plant with a single tall exhaust stack emitting a thin plume, occupying a small area left of center; brown coal 2.0 GW is depicted as a pair of small hyperbolic cooling towers with faint steam wisps on the far left; hard coal 1.4 GW as a single smaller stack beside them with a dim red glow at its base; hydro 1.1 GW shown as a small concrete dam structure with water channel near the biomass plant. TIME: 3 AM in April, completely dark sky — deep black-navy dome with no twilight, no sky glow, thick 100% overcast so no stars visible. All structures illuminated only by sodium-orange industrial lighting, red aviation warning lights blinking atop turbine nacelles dotting the darkness in rhythmic patterns. Temperature 10.5°C, early spring — bare branches on scattered deciduous trees just beginning to bud, damp grass, puddles reflecting orange lamplight. Wind at 11.3 km/h stirs the grass gently. The atmosphere is calm and spacious, reflecting the ultra-low electricity price — an open, unburdened nocturnal landscape. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark tonal palette of Caspar David Friedrich's night scenes — visible impasto brushwork, atmospheric depth and luminous artificial light contrasting deep shadows, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.