Wind onshore 36.3 GW dominates the entire right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers receding deep into the distance across dark rolling farmland, rotors visibly spinning in moderate wind; wind offshore 7.3 GW appears as a distant line of larger turbines on the far-right horizon above a dark estuary; natural gas 2.6 GW is rendered centre-left as a compact CCGT plant with twin exhaust stacks emitting thin plumes, lit by sodium-orange industrial floodlights; biomass 4.1 GW appears left of centre as a mid-sized wood-chip power station with a broad chimney and warm-lit conveyor belts feeding fuel; brown coal 2.0 GW occupies the far left as a pair of hyperbolic cooling towers with faint steam rising, lit from below by amber facility lights; hard coal 1.5 GW is a smaller gabled boiler house adjacent to the brown coal plant with a single square stack; hydro 1.1 GW is suggested by a small weir and powerhouse at the base of a gentle valley in the left foreground, water catching reflected industrial light. The sky is completely dark — deep navy-black, 100% cloud cover blocking all stars, no twilight, no sky glow — it is 4 AM in early April. Bare branches with only the faintest buds of early spring on scattered trees, grass damp and dark, temperature mild at 10°C. The atmosphere is calm and expansive, reflecting ultra-low electricity prices: no oppressive weight, just quiet nocturnal vastness. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the black sky and warm sodium-lit industrial structures, atmospheric depth achieved through layers of mist and diminishing turbine silhouettes, meticulous engineering detail on nacelles, rotor blades, cooling tower parabolic curves, and CCGT stacks. No text, no labels.