Wind onshore 34.1 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling central German hills, occupying roughly two-thirds of the composition; wind offshore 6.5 GW appears as a distant line of larger turbines on a grey North Sea horizon visible through a gap in the terrain at the far right; biomass 4.4 GW is rendered as a mid-ground combined heat-and-power plant with a tall stack and wood-chip storage silos; natural gas 3.2 GW sits as a compact CCGT facility with a single slim exhaust stack and modest steam wisp in the centre-left middle ground; brown coal 2.2 GW appears as a pair of hyperbolic cooling towers with thin steam plumes on the far left; hard coal 1.9 GW is a smaller coal-fired station with a rectangular boiler house and single stack beside the lignite plant; hydro 1.0 GW is suggested by a small run-of-river weir and powerhouse along a foreground river. TIME AND LIGHT: early dawn at 06:00 in April — the sky is deep blue-grey with the faintest pale luminescence along the eastern horizon, no direct sunlight, no solar panels visible anywhere; 100% cloud cover creates a uniform heavy overcast with no stars. The landscape is spring with fresh pale-green budding trees and damp meadows at 9.8°C. Wind at 11.4 km/h sets turbine blades in gentle rotation and bends young grasses. The low electricity price is reflected in a calm, open, spacious atmosphere without oppressive weight. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric depth with misty layering of hill ridges, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack, warm sodium-orange artificial lights glowing from industrial facilities in the pre-dawn darkness, dramatic yet serene composition reminiscent of Caspar David Friedrich meeting industrial realism. No text, no labels.