Wind onshore 28.4 GW dominates the scene as vast rows of three-blade turbines with white tubular towers stretching across rolling green spring farmland from the centre to the far right, their rotors turning slowly; wind offshore 5.5 GW appears as a distant line of larger turbines on the grey horizon above a sliver of North Sea; solar 5.3 GW is rendered as aluminium-framed crystalline silicon panels on barn rooftops and a small ground-mounted array in the mid-ground, their surfaces dull under flat light with no sun reflections; biomass 4.5 GW occupies the left-centre as a wood-clad industrial facility with a modest smokestack releasing pale white steam; natural gas 3.5 GW appears as a compact CCGT plant with a single tall exhaust stack and clean vapour plume set behind the biomass plant; brown coal 2.6 GW is shown in the far left as a pair of hyperbolic cooling towers emitting thick grey-white steam plumes, flanked by conveyor belts of dark lignite; hard coal 1.9 GW sits adjacent as a smaller boiler house with a single square chimney; hydro 1.1 GW is suggested by a small concrete dam and spillway in a wooded valley at the far left edge. The sky is entirely overcast with a uniform layer of grey stratus clouds, lit by soft diffuse April morning daylight at 08:00 — no sun disc visible, no shadows, gentle even illumination. Temperature is 10°C: early spring vegetation with fresh pale-green buds on deciduous trees and emerald grass. Wind is light at ground level but implied aloft by the spinning rotors. The atmosphere is calm and muted, reflecting the low electricity price — no drama, no storm, just quiet productive grey. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters such as Caspar David Friedrich and Carl Blechen, with rich layered colour, visible confident brushwork, atmospheric aerial perspective receding into haze, and meticulous engineering accuracy on every turbine nacelle, every cooling tower curvature, every PV cell grid line. No text, no labels.