Wind onshore 25.0 GW dominates the scene, filling the right two-thirds of the canvas with dozens of towering three-blade wind turbines on lattice and tubular steel towers stretching across rolling green spring fields, rotors turning briskly; wind offshore 3.9 GW appears as a cluster of larger turbines visible on the far-right horizon above a grey sea inlet; solar 17.4 GW occupies the centre-left foreground as vast arrays of aluminium-framed crystalline silicon PV panels on metal racking across flat farmland, their surfaces reflecting the flat grey light; biomass 4.3 GW is rendered as a mid-ground industrial plant with a tall stack emitting thin white vapour beside a wood-chip storage yard; natural gas 2.9 GW appears as a compact CCGT facility with a single slender exhaust stack and low rectangular turbine hall at centre-left; brown coal 2.6 GW sits at the far left as a pair of hyperbolic concrete cooling towers with lazy steam plumes drifting right; hard coal 1.2 GW is a smaller conventional boiler house with a single square chimney beside a coal conveyor; hydro 1.1 GW is a small weir and powerhouse visible on a river cutting through the mid-ground. The sky is completely overcast with a uniform blanket of light-grey stratus cloud at 10:00 AM — full diffuse daylight, no direct sun, no shadows, soft even illumination. The atmosphere is calm and open despite the clouds, suggesting negligible economic tension. Temperature 10.8 °C: early spring vegetation, fresh green grass emerging, bare-branched deciduous trees just beginning to bud, patches of last autumn's brown leaves. Wind 10.8 km/h ruffles grass and causes gentle motion in turbine blades. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial modernity — with rich impasto brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, PV module frame, cooling tower concrete texture and gas stack, luminous grey tonal palette with subtle green and ochre earth tones, no text or labels.