Solar 25.5 GW dominates the right half of the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching to the horizon, their surfaces reflecting diffuse grey-white light; wind onshore 21.7 GW fills the left-centre as dense ranks of tall three-blade turbines with white tubular towers and detailed nacelles, blades turning slowly; wind offshore 3.5 GW appears as a distant cluster of turbines visible on a far hazy horizon line; biomass 4.1 GW is rendered as a mid-ground wood-fired plant with a modest brick stack and thin white exhaust plume; brown coal 2.0 GW stands as a pair of hyperbolic cooling towers on the far left with faint wisps of steam, purposely small in visual area; natural gas 2.0 GW sits beside them as a compact CCGT unit with a slender exhaust stack and minimal heat shimmer; hard coal 0.6 GW is a single small stack barely visible behind the gas plant; hydro 1.1 GW appears as a stone-faced run-of-river weir with white rushing water in the lower foreground. The sky is fully overcast at 98% cloud cover — a flat luminous pearl-grey blanket with no blue breaks, bright enough for full midday daylight but entirely diffuse with no shadows on the ground. Spring vegetation: fresh pale-green grass, budding deciduous trees, patches of yellow rapeseed beginning to bloom. Temperature 13.4°C gives a cool soft atmosphere, light haze near the ground. The mood is calm and expansive, reflecting the near-zero electricity price — open, unburdened sky with no oppressive weight. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with meticulous industrial-engineering accuracy: visible turbine bolt patterns, PV cell grid lines, cooling tower concrete texture, riveted steel on the gas plant. Rich layered colour, visible confident brushwork, atmospheric perspective fading distant turbines into the overcast. No text, no labels.