Wind onshore 24.2 GW dominates the scene as vast rows of three-blade turbines stretching across rolling hills from the centre to the far right, their red aviation warning lights blinking against a black sky; wind offshore 6.2 GW appears as a distant cluster of larger turbines on the dark horizon line above a barely visible sea; biomass 4.3 GW occupies the lower-left foreground as a timber-clad industrial plant with a squat smokestack emitting pale steam, warmly lit from within by sodium-orange light; natural gas 2.8 GW sits left of centre as a compact CCGT facility with a single tall exhaust stack and a thin white plume, illuminated by harsh white industrial floodlights; brown coal 2.2 GW appears at the far left as a pair of hyperbolic cooling towers releasing thick steam columns, lit from below by amber facility lighting; hard coal 1.4 GW is a smaller coal-fired station beside the brown coal plant with a single stack and modest plume; hydro 1.1 GW is suggested by a small dam structure in a valley at the far left edge with spillway water catching reflected light. The sky is completely dark, deep navy-black with no twilight or sky glow, scattered stars visible through 16% thin cloud wisps. Early spring vegetation—bare-branched trees with first budding leaves—frames the foreground in muted greens and browns. A moderate breeze animates the turbine blades and bends young grass. The atmosphere is calm and open, reflecting a moderate electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial modernity—rich colour, visible impasto brushwork, atmospheric depth, dramatic chiaroscuro from artificial lights against the profound darkness. Meticulous engineering detail on every technology: turbine nacelles, lattice towers, cooling tower hyperbolic curves, CCGT stacks. No text, no labels.