Wind onshore 28.3 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling central German hills, occupying roughly 62% of the composition from centre to right; wind offshore 6.6 GW appears as a distant cluster of larger turbines on the far-right horizon above a suggested dark sea, occupying about 15%; biomass 4.1 GW is rendered as a mid-ground industrial plant with a glowing furnace grate and modest smokestack at centre-left, roughly 9% of the scene; natural gas 2.2 GW appears as a compact CCGT unit with a single tall exhaust stack emitting thin pale vapour, positioned left of centre, about 5%; brown coal 2.1 GW is shown as a pair of hyperbolic cooling towers with gentle steam plumes on the far left, about 5%; hard coal 1.3 GW as a smaller coal plant with a single rectangular stack beside the brown coal towers, about 3%; hydro 1.1 GW as a small dam structure with spillway visible in the lower-left foreground. TIME: midnight — completely dark sky, deep navy-black, no twilight, no sky glow; a few stars visible through 18% scattered cloud wisps. The turbine nacelles and tower bases are subtly illuminated by red aviation warning lights and distant sodium streetlamps casting warm amber pools on a small village in the mid-ground. The cooling towers and thermal plants glow faintly from internal furnace light. Early spring vegetation — fresh but muted green grass, bare-branched trees just budding — visible in the foreground under artificial light. Mild 10°C atmosphere with light ground mist. Calm, open sky conveying the ultra-low 1.1 EUR/MWh price — no oppressive atmosphere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich deep colour palette of indigo, amber, and steel grey, visible confident brushwork, atmospheric depth with layers of mist, meticulous technical accuracy on every turbine nacelle, three-blade rotor, aluminium-framed structure, and cooling tower geometry. The scene evokes the sublime tension between nature's dark vastness and humanity's industrial presence. No text, no labels.