Wind onshore 33.0 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers stretching across rolling hills from centre to far right, rotors spinning briskly; wind offshore 4.6 GW appears as a distant cluster of taller turbines along a dark horizon line at far right; biomass 4.2 GW is rendered as a mid-ground industrial plant with wood-chip storage silos and a modest steam stack at centre-left; brown coal 2.0 GW occupies the left foreground as a pair of hyperbolic cooling towers with lazy steam plumes and a conveyor belt of dark lignite; natural gas 2.0 GW sits just right of the coal as a compact CCGT unit with a single tall exhaust stack and faint heat shimmer; hard coal 1.1 GW appears as a smaller coal plant with a single rectangular boiler house and chimney behind the lignite towers; hydro 1.1 GW is suggested by a small dam and spillway in a valley at far left. The sky is deep blue-grey pre-dawn, 05:00 in early April—no direct sunlight, only the faintest pale steel-blue luminance along the eastern horizon beneath a fully overcast ceiling of low stratus clouds. Sodium-orange streetlights glow along a country road in the foreground, and the industrial facilities have warm amber safety lighting. Spring vegetation is emerging—fresh pale-green grass and budding deciduous trees at 10.9 °C. The negative electricity price is reflected in a calm, open, spacious atmosphere with no oppressive weight. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's sense of vastness merged with industrial realism—rich impasto brushwork, atmospheric aerial perspective, deep tonal contrasts between the glowing artificial lights and the vast dark sky. Meticulous engineering detail on turbine nacelles, lattice tower bases, cooling tower parabolic curves, and CCGT exhaust geometry. No text, no labels.