Solar 29.8 GW dominates the centre and right as an enormous expanse of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces reflecting a dull white overcast sky; wind onshore 17.9 GW fills the mid-ground and far distance as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning gently in moderate breeze; wind offshore 1.4 GW appears as a faint cluster of turbines on the far-left horizon above a sliver of grey sea; biomass 4.1 GW is rendered as a modest wood-fired power station with a square stack and wispy steam plume at the left foreground; brown coal 2.5 GW appears as two hyperbolic cooling towers releasing thin white steam columns behind the biomass plant; natural gas 1.9 GW sits as a compact CCGT unit with a single gleaming exhaust stack beside the cooling towers; hydro 1.1 GW is a small concrete weir and low dam visible along a river cutting through the middle ground; hard coal 0.5 GW is a single smaller smokestack with barely visible exhaust near the brown coal towers. Time is 11:00 on an April morning: full diffuse daylight, entirely overcast with a flat white-grey cloud ceiling at moderate altitude, no sun disc visible, soft shadowless illumination. Temperature 14.5 °C: early spring green on deciduous trees, fresh grass, some bare branches remaining. The atmosphere feels calm and open despite the clouds, reflecting deeply negative electricity prices — no oppressive heaviness, just a quiet, spacious stillness over a landscape overwhelmed by clean energy. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's atmospheric depth merged with Adolph Menzel's industrial precision — rich layered colour, visible confident brushwork, luminous overcast sky with subtle tonal gradations, meticulous engineering detail on every turbine nacelle, PV module frame, cooling tower flute, and CCGT exhaust stack. No text, no labels.