Wind onshore 25.6 GW dominates the scene as vast rows of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling hills from the centre to the far right horizon, their rotors slowly turning; wind offshore 7.4 GW appears in the distant background as a cluster of taller offshore turbines rising from a dark North Sea horizon line at far right; biomass 4.1 GW is rendered as a mid-sized industrial plant with a wood-chip storage dome and a single smokestack emitting faint grey vapour, positioned in the left-centre middle ground; brown coal 2.1 GW occupies the lower left as a pair of hyperbolic cooling towers with thin steam plumes rising into blackness; natural gas 2.1 GW sits beside them as a compact CCGT plant with a single tall exhaust stack and subtle heat shimmer; hard coal 1.3 GW appears as a smaller coal-fired station with a rectangular boiler house and conveyor belt, positioned at far left; hydro 1.2 GW is suggested by a small run-of-river weir and turbine house beside a dark glinting river in the foreground. TIME: 4:00 AM, completely dark — deep black-navy sky, absolutely no twilight, no sky glow, no stars visible through 100% overcast; all structures illuminated only by warm sodium-orange industrial lighting, red aviation warning lights blinking atop wind turbine nacelles, and small lit windows on plant buildings. Temperature 6°C early April: bare deciduous trees with the faintest hint of budding, damp brown-green grass, mist clinging low over the river. Calm, low-price atmosphere — the scene feels quiet, vast, and unhurried. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of indigo, charcoal, umber, and sodium-orange; visible impasto brushwork; deep atmospheric perspective; meticulous engineering accuracy on every turbine blade, cooling tower curvature, and industrial detail. No text, no labels.