Wind onshore 18.4 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and detailed nacelles stretching across the right half and deep background of a broad central-German plateau; wind offshore 5.2 GW appears as a distant line of taller turbines on the hazy horizon at far right, half-lost in morning mist above a faintly suggested sea. Solar 13.3 GW fills the centre-left foreground as expansive fields of aluminium-framed crystalline silicon panels angled south, catching the low eastern morning sun with subtle reflections. Biomass 4.4 GW is rendered as a medium-scale wood-chip power station with a rectangular boiler building and a single modest stack trailing thin white exhaust, placed in the left-centre middle ground. Brown coal 2.0 GW appears at the far left as two hyperbolic concrete cooling towers with thin wisps of steam, flanked by a conveyor belt of dark lignite, modest in scale. Natural gas 1.9 GW sits beside them as a compact combined-cycle gas turbine plant with a slender exhaust stack and a small visible heat-recovery steam generator. Hard coal 1.3 GW is a single small boiler house with a tapered chimney emitting faint grey smoke, tucked behind the gas plant. Hydro 1.2 GW is suggested by a small dam and penstock visible in a gentle valley at the leftmost edge. Lighting: full early-morning daylight at 08:00 in April, low golden sun rising from the east casting long shadows westward, sky mostly clear with only 13% wispy cirrus, pale blue overhead deepening toward the zenith. Atmosphere is calm — near-still air, no dramatic cloud movement, an open, peaceful sky reflecting the negative electricity price. Vegetation is early spring: bare birch and oak branches just budding, pale green grass still brown-tinged, frost lingering in shaded hollows at 4°C. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich, luminous colour with visible confident brushwork, atmospheric aerial perspective fading distant turbines into blue haze, meticulous engineering detail on every turbine nacelle, every PV cell edge, every cooling tower's concrete texture, dramatic Romantic scale contrasting tiny human figures on a footpath against the vast energy landscape. No text, no labels.