Solar 33.4 GW dominates the scene: vast fields of aluminium-framed crystalline silicon photovoltaic panels stretch across the entire centre and right side of the composition, angled south on metal racking, covering rolling spring hills with fresh green grass and early wildflowers at 13°C. Wind onshore 4.2 GW appears as a cluster of modern three-blade turbines with white tubular towers on a ridgeline in the mid-ground right, blades turning slowly in light 10.8 km/h breeze. Biomass 4.0 GW is rendered as a medium-scale industrial plant with a wood-chip storage dome and a single modest stack emitting thin pale exhaust, positioned left of centre. Brown coal 2.1 GW occupies the far left as two hyperbolic concrete cooling towers with thin wisps of steam rising, beside a conveyor belt of dark lignite—small in visual proportion. Natural gas 1.8 GW sits as a compact combined-cycle gas turbine unit with a single sleek exhaust stack and minimal visible emissions, placed just to the right of the cooling towers. Hydro 1.3 GW appears as a small dam and penstock visible in a valley in the distant background left. Hard coal 0.5 GW is a single small smokestack barely visible behind the lignite plant. The sky is fully overcast with a uniform layer of high thin cloud at 100% cover, yet the afternoon light at 15:00 is bright and diffuse, casting soft even illumination without harsh shadows—luminous white-grey sky. The atmosphere feels calm and expansive, reflecting deeply negative prices: open composition, airy space, no oppressive weight. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape art—Caspar David Friedrich meets industrial realism—rich colour palette of spring greens, steel blues, warm greys, visible impasto brushwork, atmospheric aerial perspective with hazy distant horizons, meticulous engineering accuracy on every turbine nacelle, every PV cell grid pattern, every cooling tower's parabolic curve. No text, no labels.