Wind onshore 13.2 GW dominates the right half of the composition as dozens of tall three-blade turbines with lattice towers stretching across rolling dark fields, red aviation lights blinking on nacelles; wind offshore 3.2 GW appears as a distant cluster of turbines on a dark horizon line at far right. Brown coal 6.1 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lights. Biomass 4.5 GW sits left of centre as a mid-sized plant with a large fuel-storage dome and a single stack releasing thin pale smoke, illuminated by warm facility lighting. Natural gas 4.3 GW appears centre-left as two compact CCGT units with slender exhaust stacks venting faint heat shimmer, steel casings reflecting amber floodlights. Hard coal 3.8 GW is rendered centre-right as a coal-fired station with a single large smokestack and conveyor belts visible under arc lights. Hydro 1.4 GW is a small concrete dam in the middle distance with water cascading, caught by a spotlight. The sky is fully dark — deep navy to black, no twilight, no sky glow — it is 20:00 in April in central Germany, nighttime. An 86% overcast ceiling hangs low, diffusing the orange sodium glow from industrial complexes into a heavy, oppressive haze that reflects the high 116 EUR/MWh electricity price. Temperature is a mild 10.9°C: early spring vegetation — bare branches with the first pale-green buds — lines field edges. Light wind at 5.9 km/h gently stirs the grass but turbine blades turn steadily from higher-altitude winds. No solar panels visible anywhere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, deep chiaroscuro contrasts between glowing industrial light and surrounding darkness, atmospheric depth with haze layering, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.