Brown coal 7.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the sky; natural gas 5.8 GW appears left-of-centre as compact CCGT plants with tall slender exhaust stacks venting heat shimmer; hard coal 4.9 GW sits at centre-left as a dark industrial complex with conveyor belts and a single large smokestack; solar 11.5 GW fills the right third of the scene as vast fields of crystalline silicon photovoltaic panels on aluminium frames catching the last low-angle golden light; wind onshore 5.4 GW appears as a line of modern three-blade turbines on lattice towers across rolling green hills in the right background, their rotors turning slowly; wind offshore 1.5 GW is suggested by distant turbines on a hazy horizon line; biomass 4.5 GW is rendered as a medium-sized wood-chip-fed power station with a modest stack and stored fuel piles in the centre-right middle ground; hydro 1.4 GW appears as a small concrete dam with water cascading in the far right background. The sky is a dusk scene at 18:00 in April: the lower horizon glows deep orange-red fading to warm amber, while the upper sky transitions through violet-blue into a darkening indigo above, no direct sun visible but strong warm golden light bathes everything from the west. Spring vegetation: fresh bright-green grass, budding deciduous trees, wildflowers. The atmosphere feels heavy and oppressive despite the clear sky, with a dense, saturated quality to the light suggesting economic tension from high electricity prices — a faint amber haze thickens the air near the industrial structures. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, luminous atmospheric depth, meticulous engineering detail on every turbine nacelle, panel frame, and cooling tower, dramatic chiaroscuro between the glowing western horizon and the darkening eastern sky. No text, no labels.