Brown coal 8.1 GW dominates the left quarter of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; hard coal 5.8 GW appears just right of centre as two tall stacks with red aviation warning lights and conveyor gantries feeding coal bunkers; natural gas 5.6 GW occupies the centre-right as a compact CCGT plant with a single tall exhaust stack venting a thin heat shimmer, its turbine hall glowing faintly through high windows; wind onshore 12.1 GW fills the right third and extends into the far background as dozens of three-blade turbines on lattice and tubular towers, their nacelle lights blinking red in slow unison; wind offshore 1.9 GW is suggested by a distant cluster of turbines on the far-right horizon above a dark line of sea; biomass 4.1 GW appears as a mid-ground wood-chip-fed plant with a modest stack and a glowing fuel yard; hydro 1.3 GW is a small dam structure in the lower-left foreground with faint white water spilling over. The sky is completely black—no twilight, no moon, deep navy to pure black overhead, stars barely visible through industrial haze. The 2°C temperature is conveyed through frost on railings and grass, bare early-spring trees with no leaves, and visible breath-like condensation near the cooling towers. The atmosphere is heavy and oppressive, reflecting the high electricity price—thick industrial vapour hugs the ground, diffusing sodium-orange and cold-white artificial light into a brooding, dense haze. No solar panels anywhere, no sunlight. The entire landscape is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic masters—rich chiaroscuro, visible impasto brushwork, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower reinforcement ring, and steel exhaust stack, evoking Caspar David Friedrich's sublime darkness married to industrial grandeur. No text, no labels.